CLIPS TO HD AT ZAP
Are you working with a sequence containing a mixture of HD and SD elements and frame rates?
We have been testing a powerful image processing system called Dark Energy developed by Cinnafilm of Albuquerque. The system uses sophisticated motion analysis and is great at re-scaling from SD to HD, and is also effective at de-interlacing, restoring original film pull-down, converting between frame rates and speed changes. The spatial module has excellent noise, film grain and scratch removal and texture control. At ZAP, we are exploring whether there is a market for this high-end “better mouse-trap” in the Bay Area.
- ITEM: We fixed 12 shots in a feature length documentary film recently released theatrically. The film was edited at HD 24P, but had many inserts shot in HDV at 60i with a frame size of 720x540. These shots had been previously converted to 24P HD using an expensive real-time hardware solution. The original conversions were juddery, and degraded the overall look of the film.
- ITEM: A documentary feature had digitally acquired shots of the sky (in HD) with noticeable banding caused by the small gradient of brightness from the darkest to lightest part of the otherwise flat field. We fixed the problem using Dark Energy’s texture components.
- ITEM: A documentary film was shot with the Panasonic DVX-100a in 4x3, protected for 16x9. The finished film must be delivered 16x9 HD. Dark Energy allowed us to re-scale the footage blowing it up to 16x9 1920x1080 with greater sharpness and a more natural look than other scalers we tried.
- ITEM: A clip of analog 1980s home video needed to be blown up to HD, cropped to 16x9, de-interlaced and slowed down to 30% of its original speed. The Dark Energy conversion was a vast improvement over what was done in the client’s editing system.
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