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Jornal da mostra
- 32ª Mostra > 23/10/2008
- Edition: Renata de Almeida and Leon Cakoff
Poetic Identification, The Means to Enjoy Tarkovsky
Son of Russian poet Arseniy Tarkovsky and one of the most important filmmakers in Russia since Sergei Eisenstein, Andrei Tarkovsky is often admired by those that identify with the poetic rhythm of his films, since without this identification his work can at times be seen as slow and difficult. That is what Dmitry Trakovsky, the director of Meeting Andrei Tarkovsky, said in an interview to journalist Rubens Ewald Filho in the Clube da Mostra on Tuesday, October 21st.
In spite of their similar last names, Dmitry explained that he is not related to Tarkovsky. Born in Russia, the young filmmaker lives in the US and, even though he does not often visit his native country, he still maintains strong spiritual ties with his motherland. He could not pinpoint an exclusive reason why he identifies with Tarkovsky´s work, but he did emphasize that he likes the rhythm and the language of his films.
Dmitry, who once studied to become a doctor, explained that American universities offer students the possibility to take courses in parallel to their majors. This system led him to study Buddhism. After completing a short film on the subject, his professor encouraged him to apply for a grant to further pursue filmmaking. This funding laid the foundation of the documentary, Meeting Andrei Tarkovsky.
Dmitry said that Tarkovsky preferred to use long takes because he believed that time is the fundamental fabric of cinema. Mirror, from 1975, is Tarkovsky´s film that Dmitry admires the most, as he believes this to be the director’s most personal and poetic work. Conversely, Ivan’s Childhood (1962), Tarkovsky’s first film, is Dmitry’s least favorite because, as Tarkovsky would admit himself, it did not yet completely reflect the poetic language developed later on in his work.
The young filmmaker took three years to complete the documentary, and tried to investigate the idea, proclaimed by Tarkovsky, that death does not exist. Dmitry’s next project is to make fiction, maybe in a short film.
Documentário investiga a permanência do cineasta Andrei Tarkovsky
Especial para o UOL
Dmitry Trakovsky faz sua estréia como cineasta com o documentário "Conhecendo Andrei Tarkovsky"
As coincidências foram muitas até chegar ao filme, a começar pelo sobrenome do jovem cineasta, quase igual ao de seu ídolo, Andrei Tarkovsky (1932-1986), prestigiado diretor de "Solaris" (72), "Stalker" (79) e "O Sacrifício" (86).
and a blog entry in Portuguese